Take responsibility for all the equipment you intend to take.If you need 13a power, an ‘in-ears’ mix feed or a monitor, put it on the stage plot and highlight the requirement.Highlight if you need a mic stand and whether short or tall boom, straight or overhead.State your preferred microphone – the actual mic used may be down to the venue, but if you highlight what has worked well for you in the past, it’s a start.The tech spec should include specifics such as where DI input, XLR or +48v phantom power are required.Include a Channel Listing and Stage-Plot in your tech spec, including names of musicians, their instruments and where they are positioned on stage.If you have any access requirements make the venue and the production team aware.Don’t get distracted by the venue’s PA equipment or the number of db at FOH position. Send it in early – most sound engineers prep in advance to respect your performance, give them the time to get things right.
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